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ARTISTIC CHRONOTOPE AS A METAPHYSICAL STRUCTURE

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This article is devoted to a comprehensive analysis of artistic space and time (chronotope) in the prose of Ulug‘bek Hamdam. The study focuses on identifying the philosophical semantics and artistic functions of a complex chronotopic system structured around dualism and the intersection of different worlds. It demonstrates that in the writer’s works, the chronotope functions as an active participant in events, a materialization of the protagonist’s inner conflict, and an important plot-generating element.

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